Artist Amy Genser translates gnarled roots, coral reefs, and other organic forms into expansive, abstract topographies. Her primary material is mulberry paper rolled into tight cylinders, which she nestles into colorful masses that trail into seas of acrylic paint. Whether on canvas, PVC, or another base, the dense compositions sprawl in every direction and peek over the edges in small ridges.
After moving to a larger studio space in Hartford, Connecticut, about four years ago, Genser has expanded the scale of her works, which previously were confined to smaller canvases. Recent projects include wall sculptures spanning multiple feet, free-standing pieces, and a site-specific installation titled “Shifting,” which just opened at Fuller Craft Museum in Brockton, Massachusetts—see photos of the artist’s process behind the massive work on her Instagram.
No matter the scale or form, each piece speaks to the climate crisis and uses the small, dyed coils to draw “attention to the beauty of our natural world,” she tells Colossal.
There is an inextricable link between my art and environmentalism. I am inspired by our earth and solar system and use natural materials in my work. I primarily use mulberry paper, which is created from the regenerative branches of a mulberry tree. I have a hard time justifying the use of materials with trying to conserve our natural resources. I’m adding new material into the work, more “stuff.” I try to minimize my use of unnatural materials.
For more of Genser’s intricate structures, explore her extensive portfolio.
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